Showing posts with label new album. Show all posts
Showing posts with label new album. Show all posts

Wednesday, December 28, 2011

New Album: Rob Geer Releases Find Your Way Home on Bandcamp

Written by Priscilla Tasker

Rob Geer released his debut
album on December 27.
Independent artist Rob Geer announced the digital release of his full-length debut album, Find Your Way Home.


The 10-song track list is a compilation of songs Geer has written over several years; some had previously been recorded with Jeff Toy (A Little Bit of Orange EP) and Cellar Door Records ("It Might Be"). The gradual acquisition of new recording equipment empowered him to fine-tune the material into a completed project over the past three months.


Geer said the final product might have been released earlier, but a technological mishap delayed completion. A hard drive crash wiped out his post-production mixing work in November, causing him to revert back to older tracks, which had been saved. Despite the set back, Geer was able to present the final compilation this week, before the year's end.


"It feels great! I'm extremely happy to be done and to move on to some other things I've been working on," Geer said. "I took a little break from mixing everything, for things to feel fresh again, then finally finished a couple days ago."


Re-mixing revives early material
Two of the songs featured on the album had previously been released on A Little Bit of Orange EP in January 2010. The original recordings of "A Little Bit of Orange" and "Dead End" had more dark, progressive rock characteristics and lacked the higher-quality mixing of the new tracks. 
Geer released A Little Bit of Orange EP  as 
The Conductor and The Creator in January 2010.
The latest recording of “A Little Bit of Orange” opens with the song’s catchy blues riff, but Geer stripped it down. He swapped psychedelic guitar trills with clean chord progressions and harmonious picking, and replaced weighty drums with the light percussive flavor of a shaker.

"Dead End," as previously recorded, jumps right in with full guitar, drums and vocals. Geer takes his time in the new recording, building the essence with a lone guitar, followed by vocals and discreet bass tones. 


That patience and permeable space in the music speaks to the merit of the finished product. Geer has performed and released variations of most of the songs featured on Find Your Way Home at live shows and through digital demos. Now, in absolute form, these songs are evidence of Geer’s artistic growth and maturity. 


“They just weren’t how I wanted them to be heard, so I decided to add some extra things in here and there,” Geer said. "The A Little Bit Of Orange EP was recorded in Jeff Toy's attic and basement with all of his equipment. The only musicians on that are me and him, but I wanted to release acoustic versions of those songs because I feel like they fit as a whole with Find Your Way Home." 


Toy is credited on Geer's new album for his mixing and harmony work on “You Could Be All Mine.” The ethereal romantic ballad adds a touch of tenderness to an otherwise verbally grave collection.


Enlivened lyrics are illustrative, palpable
Geer is poetic. His lyrics are vivid, almost tangible. The inclination to write about sordid human endeavors in songs like "Human Nature" and "Assassin" is distinctive of his creative aesthetic.

"Human Nature," which features Dan Thompson's bass stylings, is a three-minute and 48-second dissertation on the faults of mankind. Geer compares men’s cold acts to the violent instincts of beasts, howling, "Packs of wolves kill their prey with one bite to the neck, and no one says a God damn thing. Their just wild animals – but what do you call us humans when we shoot people just for fun."


“Assassin” is a chilling account of a feigned lovers. Full and pure, Geer demonstrates his vocal power. The physical strain is audible as he cries out, “Call me the assassin. Call me what you will,” after taunting, “The way you tore apart your life, thinking every second chance wasn’t broken ‘til you found out everybody’s gone – and I just lied to you again.” 

The lyrical content of Find Your Way Home is complemented by alluring, well-crafted melodies ("Under Devil's Skin") and capacious harmonies ("Keepin' My..."). Geer delved into the depths to produce these auditory gems – and they are sparkling.


Read more Rob Geer coverage on The Rhythm Report:

Wednesday, September 14, 2011

Red Wanting Blue performs live at Musica

Wasted Talent Media's Todd Volkmer caught the Red Wanting Blue (RWB) show at Musica in Akron on Saturday, September 10, and released two indieBOX video clips on Vimeo this week. In the first concert clip, the fervent audience waxes lyrical, joining the band in singing "You Are My Las Vegas," a fan favorite off RWB's 2010 release, These Magnificent Miles.

In his Vimeo post, Volkmer wrote, "the energy between the band and the crowd is just amazing in this video!!! Makes me smile every time I watch it!" [sic]

Eager fans anticipating the pending release of Red Wanting Blue's From The Vanishing Point next year, can hear new song "Walking Shoes" in the second video clip from Saturday night's show.

The band officially released "Audition," the first single off From The Vanishing Point, on September 6. According to an announcement on RWB's website, starting on October 1, the band will release a streamed recording of a new track from the record each day through October 13. This will give RWB devotees a first listen of the album, which is due for release on January 10, 2012.

Check out the videos of the concert at Musica below and visit www.ArtsQuestTV.com for more live-recorded concerts and other Wasted Talent Media shows including the site's namesake interview series Arts Quest.


Written by Priscilla Tasker

Tuesday, August 30, 2011

Review: Nicholas Wonder makes solo statement with 'My Thesis'

A lone man’s strain (“Moving On”) opens Nicholas Wonder’s debut solo album, My Thesis, in a Bob Seger “Turn The Page” fashion. One might find the brief ballad an unlikely intro to a hip hop album yet the melody is connubially tied, by an untrammeled saxophone, to the title track, which follows.

My Thesis is a commingling of sub-genres grounded in hip hop soul. Wonder’s verbal strategy for this recording flows in the same vein as his socially conscious writing for Vitium, the artist’s internationally acclaimed hip hop, funk project, which he boldly declares a “first class revolution” on a track titled “First Class.”

A true poet, Wonder’s wandering lyrics will make you wonder as he articulates keen observations of disregarded societal flaws, speaking to a degenerating generation on “Prescription Kids” and world at war on “Drifting ...”.

Pure originality is difficult to attain in any art form; hip hop, a genre built on cultural cross-references, is no different. Wonder and his supporting cast of instrumentalists and audio engineers, including Vitium bandmate Jerry (JL) Lang II, New Zealand-based Soulchef, Cleveland-based Adam Korbesmeyer and None Other Than, distinctively repurpose a variety of techniques from defining epochs in hip hop and R&B music, with rhythms on the album reflecting retro and modern styles.

Recommended song: “Trippin’”
Sounds like: Lupe Fiasco, Common, The Roots

Executive producers: None Other Than (mixing) and Nicholas Wonder
Additional production: Adam Korbesmeyer (mixing/engineering, Pro-Plane) and Soulchef
Mastered by: Chris Keffer
Recorded at: Ante Up Audio

Get a free download of the song "My Thesis" by clicking "download" below. Download the full album on Nicholas Wonder's Bandcamp site for $5.




Editor's note: "Moving On" is the opening song on the printed version of My Thesis. The online version of the album begins with the title track, "My Thesis."

Friday, August 26, 2011

Music Video: Bethesda "Dreamtiger"

The waggish five-piece troupe Bethesda launched the music video for the song "Dreamtiger" off of the band's 2011 EP release, Dreamtiger & Other Tails, at Prelude Coffee Shop in Cuyahoga Falls, Ohio on August 26. One can catch glimpse of a familiar Northeast Ohio summer stomping ground as part of the video was shot at Headlands Beach in Mentor. The video was filmed and directed by Cory Sheldon. Watch it here on The Rhythm Report first.



Tuesday, August 23, 2011

Music Video: The Manhattan Scene "Where Were You"


Despite filming in a sweltering print shop in +90-degree heat, these boys (and film crew) still rocked it out.


Cast: The Manhattan Scene
Brandon-Marshall Edmond – lead vocals
Matthew Augusta – lead guitar
Ryan Augusta – rhythm guitar
Dan Thompson – bass
Andy Moore – drums

Filmed at Live It Up print shop in Akron, Ohio, with the permission of owner Andy Moore (featured drummer in the music video).

Directed by Stephen Mlinarcik

Videographers: Terry Geer and Ralph Miller


The Manhattan Scene | Where Were You from Stephen Mlinarcik on Vimeo.


Post updated August 23, 2011
Originally posted August 6, 2011

Sunday, August 14, 2011

Speak of the Devil: The Chuck Shaffer Picture Show (CSPS) releases Protect Your Silence EP

Just two days after IndieBOX released footage of The Chuck Shaffer Picture Show's July performance at Musica in Akron, the band launched its latest EP, Protect Your Silence, on iTunes.

Virginia-based CSPS is a band that landed on The Rhythm Report's "watch list" in 2010 when the group played a haunting set at The Outpost in Kent, Ohio for the FTF Music Conference and Showcase. The trio left an impression with its radio-ready sound.

Stay tuned to The Rhythm Report for an album review in the future.




Monday, May 23, 2011

Tom Evanchuck strikes a chord with three new records

Written by Priscilla Tasker

At only 22 years old, one knows Tom Evanchuck could not have lived all the tales he sings, but he tells them better than most ever could. He’s drawn from the greatest storytellers of eras gone by, the music of our mothers’ and fathers’ time, and the tunes their parents tapped to before that.  The air of an ageless soul flows in his music and strikes a listener still.
Better known as an acoustic folk artist around the Greater Cleveland area, Evanchuck is reshaping the mold with his first electric record, Tom Evanchuck is back as The Evanchucks, and still holding true to the sound that has captured fans — not only from the local scene, but beyond Ohio’s state line — with the simultaneous release of his third acoustic album, Fadin’ Glow.
Fadin’ Glow
In Evanchuck’s traditional fashion, Fadin’ Glow is a patchwork of stories sung over an undulating acoustic guitar. But breaking away from the mirthful melodies heard on Tom, Fadin’ Glow is a collection of somber chanties. While the record starts with “Sunshine,” an upbeat rockabilly jive with an optimistic message about taking life as it rolls, the record’s title song is a brief, lonesome ballad encapsulating the silent moments of a heart aching in hope. Leah McCoy’s innocently sweet vocals complement the depth of Evanchuck’s own on the song “Fadin’ Glow,” as well as several other tracks featured on the album including “Glory,” a matrimonial love duet with the potential to steal the hearts of brides across the country picking out their perfect wedding songs.
Evanchuck said his writing for this album was more personal than his previous work. “All My Friends” is true down to the very last verse, he said. In the song, he candidly expresses his sentiment regarding his brother’s departure to the Navy, warbling, “They call it a tin can, for a grown man, the office of the sea. I say, those thievens stole my brother, and it’s a while ‘til he’s free.” 
“The development of my writing has gone from strictly wanting to write story songs to more personal writing. It’s matured in many ways,” Evanchuck said. 
However, his broad stock of songs is evidence that Evanchuck is a storyteller at the core. Fadin’ Glow’s third track “Everett” is a brazen western-style fable that tells the tale of an unscrupulous character who steals the life of another man and makes it his own only to be caught.
“My mind is somewhat of a scary place,” Evanchuck laughed.
The record ends with the low-tumbling strain “Somebody’s Got To,” a prelude to the electric release.
Tom Evanchuck is back as The Evanchucks
Tom Evanchuck is back as The Evanchucks picks up where Fadin’ Glow left off, with a charged reprise of “Somebody’s Got To.” The electric-infused record signals Evanchuck’s crossover from humble folk singer to bonafide rock musician. The album is an ode to Americana. Hints of blues and gospel permeate through distorted guitar riffs, going back to the roots of rock ‘n’ roll.
“Take Me Back” is a carefree anthem one-way bound to make you want to forget responsibility and hit the open road. Drummer Anthony Evanchuck kickstarts the song with a Texas shuffle rat-a-tat that drives the energy of the roving guitar over Patrick Jenkin’s gravel bass line and straight on through Will Nolan’s wild organ interludes.
The band switches up the tempo on “Long, Long Ohio,” a steady-building tribute to the unchanging comfort of home peppered with simple, percussive tambourine taps beneath melodic guitar murmurs. 
“I love Otis Redding, Ray Charles, and Lightning Hopkins — that old bluesy sound mixed with Motown. Basically, if I could sing like an old black man, I would,” Evanchuck said of his inspiration for both the electric and acoustic releases.
Dwelling on the fight to surrender to lover’s adoration, Evanchuck feigns the fervor of Charles’ “Georgia On My Mind” as he cries out for “Peace of Mind” on the aptly titled blues, doo-wop tune. The song, he said, is “basically telling the girl, she knows and you know — so just give in. Find that peace of mind.” 
The good-time spirit of Tom Evanchuck is back as The Evanchucks makes it a fitting summer soundtrack. With the collaboration of talented musicians backing Evanchuck on this album, his newfound sound ascends to a class of music lost in your parents’ record collections.
Fadin’ Glow and Tom Evanchuck is back as The Evanchucks were both recorded by Division Sound and are available on iTunes and Amazon. The three-song EP, Nebby Thomas and Zrenner Lewis, which Evanchuck recorded with Bad Racket Recording Studios and launched in advance of the dual release, is available on CDBaby and Amazon.
Editor’s note: For an optimal listening experience, begin with Nebby Thomas and Zrenner Lewis, follow with Fadin’ Glow and end with Tom Evanchuck is back as The Evanchucks.



Follow Tom Evanchuck and The Old Money on 
Facebook and Twitter. 
Read more on Tom Evanchuck in these Rhythm Report articles:

Also, check out photos of the band's summer festival junket in Ohio in 

Sunday, May 15, 2011

Make Tom Happy


Tom is sad. His brother, Kyle, can not make it to his show. It's a special show -- Tom's dual CD release party. I'll bet it would cheer him up to see you there.

Tom Evanchuck: A Dual CD Release
May 21, 2011 - 6:30 p.m.

Beachland Tavern
15711 Waterloo Rd.
Cleveland, Ohio

Song: Periscope Depth by Tom Evanchuck
Album: Fadin' Glow 

Produced by Division Sound

Visit www.tomevanchuck.com for more information.

This video was filmed and edited by The Rhythm Report's video production unit, De los angeles Productions.