Showing posts with label review. Show all posts
Showing posts with label review. Show all posts

Wednesday, December 28, 2011

New Album: Rob Geer Releases Find Your Way Home on Bandcamp

Written by Priscilla Tasker

Rob Geer released his debut
album on December 27.
Independent artist Rob Geer announced the digital release of his full-length debut album, Find Your Way Home.


The 10-song track list is a compilation of songs Geer has written over several years; some had previously been recorded with Jeff Toy (A Little Bit of Orange EP) and Cellar Door Records ("It Might Be"). The gradual acquisition of new recording equipment empowered him to fine-tune the material into a completed project over the past three months.


Geer said the final product might have been released earlier, but a technological mishap delayed completion. A hard drive crash wiped out his post-production mixing work in November, causing him to revert back to older tracks, which had been saved. Despite the set back, Geer was able to present the final compilation this week, before the year's end.


"It feels great! I'm extremely happy to be done and to move on to some other things I've been working on," Geer said. "I took a little break from mixing everything, for things to feel fresh again, then finally finished a couple days ago."


Re-mixing revives early material
Two of the songs featured on the album had previously been released on A Little Bit of Orange EP in January 2010. The original recordings of "A Little Bit of Orange" and "Dead End" had more dark, progressive rock characteristics and lacked the higher-quality mixing of the new tracks. 
Geer released A Little Bit of Orange EP  as 
The Conductor and The Creator in January 2010.
The latest recording of “A Little Bit of Orange” opens with the song’s catchy blues riff, but Geer stripped it down. He swapped psychedelic guitar trills with clean chord progressions and harmonious picking, and replaced weighty drums with the light percussive flavor of a shaker.

"Dead End," as previously recorded, jumps right in with full guitar, drums and vocals. Geer takes his time in the new recording, building the essence with a lone guitar, followed by vocals and discreet bass tones. 


That patience and permeable space in the music speaks to the merit of the finished product. Geer has performed and released variations of most of the songs featured on Find Your Way Home at live shows and through digital demos. Now, in absolute form, these songs are evidence of Geer’s artistic growth and maturity. 


“They just weren’t how I wanted them to be heard, so I decided to add some extra things in here and there,” Geer said. "The A Little Bit Of Orange EP was recorded in Jeff Toy's attic and basement with all of his equipment. The only musicians on that are me and him, but I wanted to release acoustic versions of those songs because I feel like they fit as a whole with Find Your Way Home." 


Toy is credited on Geer's new album for his mixing and harmony work on “You Could Be All Mine.” The ethereal romantic ballad adds a touch of tenderness to an otherwise verbally grave collection.


Enlivened lyrics are illustrative, palpable
Geer is poetic. His lyrics are vivid, almost tangible. The inclination to write about sordid human endeavors in songs like "Human Nature" and "Assassin" is distinctive of his creative aesthetic.

"Human Nature," which features Dan Thompson's bass stylings, is a three-minute and 48-second dissertation on the faults of mankind. Geer compares men’s cold acts to the violent instincts of beasts, howling, "Packs of wolves kill their prey with one bite to the neck, and no one says a God damn thing. Their just wild animals – but what do you call us humans when we shoot people just for fun."


“Assassin” is a chilling account of a feigned lovers. Full and pure, Geer demonstrates his vocal power. The physical strain is audible as he cries out, “Call me the assassin. Call me what you will,” after taunting, “The way you tore apart your life, thinking every second chance wasn’t broken ‘til you found out everybody’s gone – and I just lied to you again.” 

The lyrical content of Find Your Way Home is complemented by alluring, well-crafted melodies ("Under Devil's Skin") and capacious harmonies ("Keepin' My..."). Geer delved into the depths to produce these auditory gems – and they are sparkling.


Read more Rob Geer coverage on The Rhythm Report:

Thursday, September 29, 2011

Local artist Rob Geer’s last show at Grog Shop signals beginning of new life out West

Written by Priscilla Tasker
Photo courtesy of
Kathleen Grace Kazsmer  
Rob Geer made his final Grog Shop appearance as The Conductor and The Creator Sunday, September 18, before he traverses the nation to settle in Denver, Co., in October. Ever-loyal friends and fans appropriately gathered for a send-off show, which featured Humble Home, who organized the event, and The Lighthouse and The Whaler. 
The indie-folk-inspired rock lineup showcased distinctive talents while keeping with a style of music compatible to the tone Geer set for the evening.
"I loved every second of it. It was a good set of bands. There's always an oddball in the line up but not tonight," Geer told Humble Home's Nick Wise in post-show conversation.
Geer led the night with a six-song set. Waiting in line to enter the venue, I heard the bass and guitars signal the start of the band’s first song – a sound which incited an anxious desire to cut the 10 to 15 people in front of me. I waited patiently. Yet, as if he read my mind, the man ahead of me offered reprieve by holding the door and saying, “You can go ahead.”
Grateful chivalry lives on, I made my way to the stage. Geer’s vocals enveloped the space. Seemingly effortless projection is a talent Geer has honed well – and one of the artistic traits that caught my attention the first time I’d heard him play at Nemeth’s Lounge in Painesville, Ohio, earlier this year. 
Geer was backed by his “Conductor” counterparts, whose soulful flavor enlivens the singer-songwriter's sound. [Watch this video from February 5, 2011 for an extraordinary example of the band's abilities.] Lead guitarist Matthew Augusta and bassist Dan Thompson played a bluesy, soft jazz teaser leading into "It Might Be" and an R&B interlude before "Under Devil's Skin." 

Wednesday, August 17, 2011

Review: Chelsea Wolfe's Apokalypsis daunts the dawn of Revelation

Source: Pendu Sound Recordings
http://pendusound.com/releases/psr-0045/
Once you get past the demonic hissing, throaty squawks and white noise that opens Chelsea Wolfe’s Apokalypsis, this dungeon-dredged album only gets weirder. 
At one point during the song “Movie Screen,” it was like listening to a tea whistler going off in the kitchen while a dial-up modem failed to connect to AOL and an acid-dazed, computer-gaming nerd played the slowest game of Pong on Atari. 
Yet there is something entrancing about Wolfe’s contralto vocals chanting over the ambient, psychedelic goth-rock auxiliary that accompanies her haunting Gregorian incantations on songs like "The Wasteland."
Intrepid fiends of the macabre and experimental can catch the first listen of Apokalypsis in its entirety on NPR Music, which acquired the nearly 38-minute album 10 days before its release date. Pendu Sound Recordings is launching the record on August 23.

Take heed, I don’t recommend listening to Apokalypsis just before bed. (I’ll be sleeping with the lights on tonight.)
Sounds like: A malformation of Tori Amos, Jefferson Airplane and Philip Glass.
Recommended song: Tracks (Tall Bodies)


Read more on Chelsea Wolfe:

Written by Priscilla Tasker