New Music: Among Savages, Vinny Vegas deliver sophomore albums

Summer 2017 is ripe with new sounds vibrating coast to coast. Whether you reside east, west or somewhere in between, we've got new music to help you wind down from the work week. 

On July 21, from Los Angeles, Among Savages released a sophomore album entitled Accounts of Friend and Foe. Meanwhile, Maryland-based Vinny Vegas also introduced its second full-length album, Clear the Walls. 

Each anthology is rather melancholy but artfully conveys the emotion in two stylistically different ways.

Among Savages - Accounts of Friend and Foe

Among Savages is the musical vision of songwriter Peter Barbee. Accounts of Friend and Foe is a 38-minute compilation of nine songs that meld alt-pop and contemporary classical undertones through an electronic listening experience. The songs are often characterized by ambient synthesized strings and effects accompanied by layered vocal choruses and tribalistic percussion. "What Goes Around," "If You See Her," and "Getting Older Quicker" open the album on an uptempo dance-pop whim that is swiftly swallowed by slow, pressing ballads. Among Savages' promotional website describes the act as a "living, evolving musical." When you listen to Barbee's works from The Wanderings of an Illustrative Mind to this latest release, the compositions truly read that way. The challenge that Barbee successfully executes across Accounts is that each song is undeniably tied but uniquely defined in its own right.  

The one to hear: No Such Thing 

The one you'll be singing: If You See Her 

The official release party will be held August 21, 2017 in conjunction with School Night! presented by Chris Douridas and Matt Goldman (MFG) at Bardot in Los Angeles. 

Album available on iTunes and Spotify.
Vinny Vegas - Clear the Walls 

Vinny Vegas is a multi-instrumental progressive rock band that The Rhythm Report first discovered during its first run at an underground music club in Canton, Ohio in 2011. Clear the Walls is a nocturne collection of 10 songs spanning 36 minutes saturated by crawling guitar medleys folded into panoptic harmonies of keys, an ever-present bass and assaulting drum patterns. The songs seemingly blend together in casual listening but as a collection deliver a soulful, steady theme that are electrified by front man Scott Siskind's yowling vocals and Aaron Emmanuel Lee's talent on keys. 

• The one to hear: Slow Burn Dopamine 
• The one you'll be singing: Greens into Blues

The band's four-stop record release tour begins in Boston, Mass. on July 28 with additional shows to follow in New York City, Philadelphia, Penn., and Baltimore, Maryland. Visit VinnyVegasMusic.com for details.

Album available on iTunes, Spotify, BandCamp and SoundCloud.

Concert Review: Saturday at The Auricle with The Singular, Vinny Vegas

Since the launch of The Rhythm Report, I’ve covered a handful of artists from Greater Cleveland and Akron, as well as others who’ve passed through town. For the first time, Saturday night I delved into Canton’s rock scene, which found a new home at The Auricle on Cleveland Avenue NW in the city’s downtown Arts District. Here’s the run down on the four-band lineup, which included The Good 19, The Singular, Vinny Vegas and Air is Watching.

The Good 19

The Good 19 started the evening off with a short psuedo-punk-infused modern rock set, playing to less than 30 people. During “Please Believe Me,” a song frontman Brendan Quine said the band hadn’t played in while, The Good 19 broke out into an instrumental jam as Quine called out to the audience, “Everybody dance.” There was a slight air of awkwardness as a few people unsurely glanced around and began nervously rocking back and forth or side to side.  

While the early evening crowd was still cool, The Good 19 was a good warm-up act to jumpstart the kinetic energy. Many of their tunes incorporated mini-movements as the band experimented with a variety of tempos. The stop-and-go rhythm of “Wanderlust” was a case in point. Interestingly, the band’s live set is much heavier than the recorded tracks featured on its Facebook BandPage.  

The Singular

Next in the lineup, The Singular emerged transmuting the atmosphere with dreamy synth sounds produced by keyboardist Nichole Catalano-Miller. Lead vocalist and guitarist James Pequignot led the group in a clean startoff. However, throughout the set I found myself thinking the songs sounded replicated and forgettable. The odd thing is I liked what I heard. I don't disregard the band’s musicianship. Each member's ability to follow and play off one another without missing a beat was quite evident. It’s simply that upon first impression, I felt I’d heard it before and most of the songs lacked the kind of melody that sticks with you.

After a couple of up-tempo songs, Pequignot introduced a melancholy mood changer "Box," which he described as "a song about getting the shit beat out of you.” To Pequignot’s credit, he’s not shy to speak the thoughts on his mind lyrically or in between songs on stage. At one point, an audience member, likely a friend or acquaintance, cried out a mocking request for “Freebird” to which Pequignot lightheartedly responded, “No, no. Why have you done this?”