Showing posts with label music scene. Show all posts
Showing posts with label music scene. Show all posts

Sunday, November 6, 2011

There is No Music Scene Here

Written by Priscilla Tasker


I was always one of those kids growing up who lived on pop music. Sure, I had friends who played in bands – which was cool – but I never gave them much credit for what they created. Let's face it. Most teenage bands flat out suck. In my mind, at the time, they never could have lived up to the artists and bands with radio airplay and music videos on MTV. Sound familiar to you? A lot people can admit they've written off the talent of friends based on the fact that they're only playing in basements and at a local level. 


Here's the thing. Those kids grow up. They hone their talents, and what they create may be extraordinary. You only have to listen, see and experience it. 


Yet, it is that mentality – if something is not appealing to the masses, it must be mediocre – that plagues local music and arts scenes. The Northeast Ohio music scenes are beset by this stigma. I've heard it, and I'm sure you have as well. "There is no music scene in [Cleveland, Akron, or insert your city name here]."


The truth of the matter is, there is a scene and great things are happening in it. If you don't know, you're simply not in it.


Ohio produces big name acts
In recent years, the nation and the world has seen acts like The Black Keys, Machine Gun Kelly (MGK) and Jessica Lea Mayfield explode in popular culture. Where do you think they began? The Black Keys formed and started their music career in Akron. MGK came up in Cleveland. Jessica Lea Mayfield, if I recall correctly, still calls Kent home. 


In the past, artists like Macy Gray, Reliant K and Marilyn Manson cropped up out of Canton. Bone Thugs-n-Harmony started in Cleveland. Going back even further, Devo and Chrissie Hynde were Kent State University students. And, to throw it out there, although they're not from the northeast part of the state, John Legend hailed from Springfield and short-lived 90s pop sensation 98 Degrees was from Cincinnati. Out of those acts – love them or hate them – almost every person reading this article could attest to how each has impacted pop music and changed our world in some way.


I recently pointed this out to a friend who works in Los Angeles as we discussed my potential move out West. As I made the case for why I am dedicated to the music scene in Northeast Ohio, I reminded him of the numerous musicians who've originated in this great state. In response, he said to me the one thing most of them had in common was that their careers took off after they had left Ohio. This is true, but every one of them had small beginnings in some local scene. 


At the time when most of those groups or individuals "made it," an artist had to pursue a career in a major music hub to be heard. In today's tech-centric world, kids and adults who are still making music in their basements, living rooms or bedrooms can upload their tunes and videos to the Internet for the world to hear and see. Location barriers have been broken down. Just as I am reaching you from the sofa in my apartment to wherever you are, musicians have at the tips of their fingers the opportunity to amass a following through the Internet. The challenge many local musicians face is the lack of wider appreciation for the live shows they play in their home towns. It's disheartening. 


Artists build careers from NEOhio home base
In 2009, Cleveland-based hip hop band Vitium released "Never Looking Back" on the Goon Trax label in Japan. The single produced by re::plus hit No. 3 on the country's iTunes hip hop charts. You're probably asking yourself, "Who the hell is Vitium?" It's one of the many professional bands that can be seen playing in the Northeast Ohio area. Sadly, one of the last times I saw this band play at Beachland Tavern, the venue was nearly empty.


Another terrific band on the bill that night was Winslow, a group which originated in Kent and is now based in Akron. Earlier this year, the soul-rock fusion ensemble recorded its latest single "Quarter Life" with Grammy-award winner Edwin "Tony" Nicholas. The song was released nationwide on a Sony RED promotional album. But you didn't know that, did you?


The Greater Cleveland and Akron areas have a plethora of artists who are making great music. Some of them are paving their way into the national and global scenes. Daytrotter took interest in The Lighthouse and The Whaler of Cleveland and recorded a session with the band in July. If you don't know Daytrotter, it is a music project in Rock City, Indiana that has recorded hundreds of live session with independent artists; a short list includes Death Cab for Cutie, Adam Arcuragi, Ingrid Michaelson, The National, OK GO, Scars on 45 and Tegan & Sara. In addition, this past October, The Lighthouse and The Whaler was a feature act at Paste & Rdio's Afternoon Delight party during the CMJ Music Marathon in New York City. 

Bethesda, another Kent-based band, signed a major licensing deal with Discovery Network, which operates in 187 countries. The band's music will be featured on more than 30 original shows on Discovery Channel, the Oprah Winfrey Network, Military Channel, Animal Planet and more.


Do you know what each of these bands have in common? 
They comprise a diverse representation of Ohio music and can frequently be seen in the "non-exsistent" Northeast Ohio music scene. There are plenty more from where they came, so support the local music in your home town. 


Come out to a show at Beachland Ballroom & Tavern, the Grog Shop, Happy Dog, The Winchester, Kent Stage, Musica, Auricle Venue or any other venue supporting the live, local music.


For God's sake, Cleveland is the home of The Rock & Roll Hall of Fame. Do you really think we're not making music here? Wake up!


And don't forget about the people and businesses behind these artists. Bad Racket Recording Studio, Cellar Door Records, Buzzbin Magazine and, of course, The Rhythm Report are among those that stand behind the scene to cultivate and capture the culture and art being created here and share it with you. Tune in. 


Hear the music

Friday, September 30, 2011

United We Stand: Evanchuck, Red Wanting Blue

Written by Ty Kellogg

On Saturday night I decided to make the trek from my far east residence and journey to the city lights of downtown Cleveland. More specifically, I went to the Barley House on West 6th to see Tom Evanchuck and The Old Money (TOM) and Red Wanting Blue (RWB). It was a great day – slight overcast with temperatures in the mid-60s with a light breeze whisking its way in between the buildings of the warehouse district. The stage was set to the left of the Barley House, with a large canopy to cover the general admission audience and a gated section for VIP close to the stage. There clearly was no purpose for the VIP section, as when Tom Evanchuck and The Old Money completed a few warm-ups, the Barley House allowed everyone close to the stage.

Evanchuck and TOM bleeds rock 'n' roll 
Tom Evanchuck and The Old Money
at the Rock & Roll Hall of Fame.
©The Rhythm Report July 2011
As Evanchuck strummed the first chords on his original Les Paul, he began to sing. As he sang, the microphone and the cable failed to reproduce his sound. Alas, Evanchuck cut the band and had the engineer fix the ailing vocal cord. After nearly fifteen minutes, the band revved up its musical engine and peeled out, sending fans into a lush delight and newcomers to a rude rock 'n’ roll awakening.

With a lead guitarist and recently added bass player, the Evanchucks (Tom and Anthony) have added more arsenal to their already destructive musical machine. On songs such as “Peace of Mind,” “Take Me Back,” and “Sweet and Fine,” The Old Money took the crowd by the throat and sent them into a foot-stompin’ and rump-shakin frenzy with alternating guitar riffs, a pulsating bass and shattering drums.

The highlight of the set was the band’s single, “Take Me Back.” The crowd was moving and singing along when, all of a sudden, I closed my eyes and heard a good portion of the crowd howl with Tom “ROLL ON,” before the band went on a musical rampage. As the band later left the stage, I caught a glimpse of Evanchuck’s hand, bleeding from several knuckles as a result of pounding his Les Paul into submission.
Follow Tom Evanchuck and The Old Money on 
Facebook and Twitter. 
Read more on Tom Evanchuck in these Rhythm Report articles:
Also, check out photos of the band's summer festival junket in Ohio in 
The Rhythm Report's Facebook albums: 
Road-tested RWB's musical maturity eclipses youth
Source: Red Wanting Blue
Official Store
www.redwantingblue.com
Next on the bill was the state’s biggest musical road hogs, Red Wanting Blue (RWB). They calmly set up, tuned one last time and began their set with a very catchy song called “Gravity.” This was clearly RWB’s crowd, as a majority of the attendees sang and pleaded every word to every song presented. But the band has an unusual, genuine approach to its live performances.

In comparison to many rock bands on the circuit, Red Wanting Blue is older, mature and road-tested. They have played shows all over the lower 48 states, have seen their friends’ bands come and go, and have seen their fan base gradually expand. The band does not romp around on stage like their youthful counterparts. Rather, the men are stationary and complacent in their roles. The difference is that the band watches and looks upon their lead singer, Scott Terry, as he stomps, claps, fist-pumps and bellows to the skies.

What separates Terry’s stage presence from other frontmen is his genuine behavior. He doesn’t have flashy moves. He isn’t mysterious or overwhelmingly sexual, nor does he come across as a greater-than-thou pompous ass. As he stood on the stage monitor with his arms curling the invisible burdens of the crowd, he tilted his head back, eyes to the sky and mouth wide open, and sang along with the crowd, “I feel like drinking whiskey and getting high. It’s the same old thing every Saturday night!” After this performance, I firmly believe that Terry is Ohio's best frontman in the state's current musical era.

Both bands offer something unique to Ohio and the Midwest. They are both incredibly driven, talented and not just likeable but addicting. They both encompass the persistent, gritty, soulful simplicity of the state, and they offer something that is hard to find in music – hope. Regardless of age, gender, ethnicity or musical preference, these two bands are providing a reason for Ohioans to believe in the music scene once again.
Follow Red Wanting Blue on Facebook and Twitter. 
Watch Red Wanting Blue in this Rhythm Report post: Video – Red Wanting Blue performs live at Musica