The Good 19
The Good 19 started the evening off with a short psuedo-punk-infused modern rock set, playing to less than 30 people. During “Please Believe Me,” a song frontman Brendan Quine said the band hadn’t played in while, The Good 19 broke out into an instrumental jam as Quine called out to the audience, “Everybody dance.” There was a slight air of awkwardness as a few people unsurely glanced around and began nervously rocking back and forth or side to side.
While the early evening crowd was still cool, The Good 19 was a good warm-up act to jumpstart the kinetic energy. Many of their tunes incorporated mini-movements as the band experimented with a variety of tempos. The stop-and-go rhythm of “Wanderlust” was a case in point. Interestingly, the band’s live set is much heavier than the recorded tracks featured on its Facebook BandPage.
The Singular
Next in the lineup, The Singular emerged transmuting the atmosphere with dreamy synth sounds produced by keyboardist Nichole Catalano-Miller. Lead vocalist and guitarist James Pequignot led the group in a clean startoff. However, throughout the set I found myself thinking the songs sounded replicated and forgettable. The odd thing is I liked what I heard. I don't disregard the band’s musicianship. Each member's ability to follow and play off one another without missing a beat was quite evident. It’s simply that upon first impression, I felt I’d heard it before and most of the songs lacked the kind of melody that sticks with you.
After a couple of up-tempo songs, Pequignot introduced a melancholy mood changer "Box," which he described as "a song about getting the shit beat out of you.” To Pequignot’s credit, he’s not shy to speak the thoughts on his mind lyrically or in between songs on stage. At one point, an audience member, likely a friend or acquaintance, cried out a mocking request for “Freebird” to which Pequignot lightheartedly responded, “No, no. Why have you done this?”
