Tuesday, December 28, 2010

Beans' Top 10 beats of 2010: No. 4 & 5

We have counted down five of the best albums of 2010 per Producer and Musician David Beans. Now, we cross the threshold to numbers four and five. Beans reviews the latest releases by LCD Soundsystem and The National:

LCD Soundsystem - This Is Happening (Link a la versión español aqui:http://cucharasonica.com/2010/04/download-lcd-soundsystem-this-is-happening)

LCD Soundsystem is mostly compromised of James Murphy from DFA Records. If you want uplifting and moving disco rock, this is it. Past records have been more electronic and this record aimed for live instrumentation. Consequently, this is their best work to date. A record with legitimate lyrical content, a rhythm to swing with and vocals that just make sense (leaving the bullshit aside), it sticks with you.
Recommended Track: 'All I Want'



The National - High Violet* (Español: http://cucharasonica.com/2010/05/resena-high-violet-the-national)
The National is my favorite American Rock band. Fair warning, the lyrics are not to the point, the songs are melancholy and Matt Beringer's vocals are about as low as Johnny Cash following a night of whiskey. This is a record that, with the right amount of patience and understanding, will provide a soundtrack to those confusing thoughts on loss, regret and discovery. They possess some of the greatest musical organization and arrangements you'll ever hear in a rock format.
Recommended Track: 'Bloodbuzz Ohio'

David Beans collaborates with Recording Engineer and Musician Keith Vance to offer recording and audio mixing services. Recent clients include Tom Evanchuck, Diamonds and Pearls, and Justin Markert. Beans also released a self-recorded solo album entitled The Loss & Recovery EP in 2008, available atwww.david-beans.com. Contact: davidbeans@msn.com

Sunday, December 26, 2010

Beans' Top 10 beats of 2010: No. 6 & 7

Reviews by David Beans

The Top 10 countdown of albums released in 2010 continues with the following EPs recorded by Jónsi and Kanye West:

The Sigur Ros lead singer's first solo record is nothing short of beautiful. This may be the most epic, grandiose and large record released this year by any artist. Instrumentation ranges from guitars to pianos, cellos to flutes, trumpets to keyboards, choirs and vocal loop. Several tracks aim to please pop radio while the others dabble into the emotionally draining love ballad. This record is fearless and without shame, ignoring boundaries and expectations.Recommended Track: 'Tornado' (Este video tiene subtítulos en español y en íngles.)



Kanye West - My Dark Twisted Fantasy
Kanye West not only achieved the most controversy over the past year, he was also able to release one of the best records of the year. This new album includes fantastic and inspiring production that escapes from the recycled pop formula we have heard all year. This is my favorite record of his to date.From beginning to end, it tells a story of an optimistically sad man cursed with the strength of artistic genius.
Recommended Track: 'Lost in the World'

David Beans collaborates with Recording Engineer and Musician Keith Vance to offer recording and audio mixing services. Recent clients include Tom Evanchuck, Diamonds and Pearls, and Justin Markert. Beans also released a self-recorded solo album entitled The Loss & Reco
very EP in 2008, available at www.david-beans.com. Contact: davidbeans@msn.com

Friday, December 24, 2010

Beans' Top 10 beats of 2010: No. 8 & 9

Hola lectores del Rhythm Report! Saludos desde Costa Rica. (Hello The Rhythm Report readers! Greetings from Costa Rica.) I missed day two of David Beans' Top 10 albums of 2010 so here are the next two in the series, Beach House and Four Tet:

Beach House - Teen Dream
Beautiful and soulful lyrics, atop hazy guitars and keys in reverb, singing the songs that fit perfectly for the late-night venture home. Mostly a two-person group, the sound is huge and genuine, and recalls the ambient pop of the sixties.
Recommended Track: '
Take Care'

Four Tet - There Is Love In You
Progressively one of the most ambitious and inspiring electronic acts, 'There Is Love In You' is a record that is a lesson in sampling and manipulation techniques. This record is mostly comprised of chill tracks that are loud enough to feel yet quiet enough to understand. One of the best 'headphone' records of the year, your best friend for when walking through the city.
Recommended Track: '
Love Cry'

David Beans collaborates with Recording Engineer and Musician Keith Vance to offer recording and audio mixing services. Recent clients include Tom Evanchuck, Diamonds and Pearls, and Justin Markert. Beans also released a self-recorded solo album entitled The Loss & Recovery EP in 2008, available at www.david-beans.com. Contact: davidbeans@msn.com

Wednesday, December 22, 2010

Beans is on beat with Top 10 of 2010

To close out the year 2010, The Rhythm Report invited guest blogger David Beans, musician and producer, to share his Top 10 favorite albums of the year. The list presents a mix of original artists who are closing out the decade with intricate compilations of musical design. The first in this series of Beans' best albums is Down There by Avey Tare. Stay tuned to The Rhythm Report through the end of the year to learn who else topped his list.

Avey Tare - Down There
Review by David Beans
A founding member of the experimental group Animal Collective, Avey Tare's first solo record combines samples of underwater grumblings, distorted samples and talk of crocodiles (Really!) with vocal hooks that can't be ignored. The record follows Animal Collective's recent mainstream success, his sister's battle with cancer and a divorce from his wife. Who doesn't love despair!
Recommended Track:
"Lucky 1"

This artist was featured on the National Public Radio (NPR) series First Listen in October. Also, read Pitchfork Media's review on Avey Tare.

David Beans collaborates with Recording Engineer and Musician Keith Vance to offer recording and audio mixing services. Recent clients include Tom Evanchuck, Diamonds and Pearls, and Justin Markert. Beans also released a self-recorded solo album entitled The Loss & Recovery EP in 2008, available at www.david-beans.com. Contact: davidbeans@msn.com

Friday, December 10, 2010

Winslow performs at Musica, introduces new songs

Winslow, currently in writing sessions for its second album, shared a sneak-peek with fans at the Maid Myriad EP release party at Musica in Akron, Ohio on December 4.Given the option between setlist “A” or “B,” the audience selected setlist “B.” The soul-funk ensemble introduced new songs, “Stand up” and “Alone tonight,” demonstrating its versatility and the courage to mix it’s soulful sound with edgier rock riffs and a bit of Latin flair. Before the night’s end, the band slowed the set to play a few ballads and lighter tunes.

No Winslow show fails to be anything less than an auditory and visual treat. Frontman Maurice Martin delivered a chest-thumping performance but--note to the sound guy--his vocals seemed to get drowned out by the instrumental. Nevertheless, the man exudes passion when he sings, crying out every word like it might be his last. The emotion was electric. Resounding, it conducted across the stage. Charlie Trenta embodied the meaning of the phrase “wail on guitar.” Bassist Kevin Robertson and Keyboardist Curtis Tate carried each song on the low plucks of the bass strings and pulse of the keys. Matt Tieman embellished the sound with jazz notes on tenor sax and Mike Watkins held the beat on drums. There is no question why Winslow was nominated for Cleveland’s Best Original Band by fans and Scene Magazine this year.

Winslow was scheduled to open for gospel-R&B artist Robert Randolph & The Family Band at House of Blues in Cleveland, Ohio on Friday, December 10, but the show was postponed. Fans can catch Winslow at Reggie’s Music Joint in Chicago on Saturday, December 11, at 9 p.m. They will be opening for The Congregation.







Sunday, December 5, 2010

Maid Myriad releases EP: A Fool's Delight












We've all experienced it. The feeling you get when you witness a performance so compelling that your mind and body pauses, almost involuntarily, to admire the brilliance of human ability. For a moment, one that feels like nothing and a million moments all at once, your breath is stolen away.

Breathtaking. That is precisely the word for last night’s show at Musica. Concert-goers at the venue in Akron, Ohio were treated to a cornucopia of creative talent for Maid Myriad’s EP release party on December 4. The night was a mash-up of Akron’s elite musical talent -- soul and R&B act Winslow, Simeon Soul Charger, Via Lotus and, of course, headliner Maid Myriad.

Maid Myriad is a visionary project based in Cuyahoga Falls, Ohio. The band released its second extended play album, A Fool's Delight, the first part of three EP's to be released over the next year. The quartet features percussionist Kevin Klemm, bassist and violinist Alex Popovici, guitarist Gavin Cushman III and vocalist Jeffrey Christopher Klemm (JCK).

The first note out of JCK's mouth can silence a crowd to awe. It’s pure and crisp sound is one that is all too rare in rock and pop music. The band incorporates layers of powerful vocal harmony, stellar guitar, and musing violin in its songs on the new album. JCK described the album as having an accessible pop sound but one cannot discredit the band’s exceptional talent and noteworthy originality.

The group started the show off hot and heavy with recognizable tunes from their first album, Embrace, including the EP’s title song, and the hard-hitting fan favorite, "Mr. Bigshot." "What makes you better?" JCK taunted at one point during the latter song, initiating a call-and-response in which the crowd returned his call with another "What makes you better?" The opening numbers engaged the Saturday night show-hoppers, pumping them up for the nearly two-hour set that highlighted new songs like "Nevermore" and "Whirlwind.” The title track of the next album in the EP trilogy, "Whirlwind" is a heartfelt solo ballad during which JCK rested his guitar to tenderly play keys and sing a tranquil serenade.

Maid Myriad struck an emotional chord with the audience during “A boy and his dream" when JCK invited his youngest brother Andrew and girlfriend Tasha Adessi, lead vocalist for Via Lotus, on stage. Adessi played xylophone and adolescent Andrew read a short, thought-provoking poem written by his brother, Jeffrey. It was a touching moment, evoking sighs of endearment and cheers from the crowd. At the song’s end, JCK hugged the boy and gave him a loving kiss on his head.

The night was a medley of powerful sounds ended with an intimate unplugged acoustic set where the band stepped off stage to join the audience at ground level. Audience members gathered around the band, some sitting on the floor, as Maid Myriad showcased its members' talents in their most natural form of vocal harmonies, percussion and strings.

Maid Myriad is on The Rhythm Report’s hot list of artists to watch. Watch this exclusive interview with the band as they talk with Rhythm Reporter Priscilla Tasker about the direction of the album and their music. The band’s latest EP, A Fool’s Delight, is available as a free download at www.maidmyriad.com. Maid Myriad's next two albums Whirlwind and With haste on its breath are planned for release in 2011.


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Written by Priscilla Tasker

Wednesday, July 28, 2010

The Chuck Shaffer Picture Show debuts in Cleveland


Virginia's premier rising band, The Chuck Shaffer Picture Show (CSPS), debuted in Cleveland at Peabody's Concert Club this weekend. The alternative rock three-piece band was originally introduced to the Northeast Ohio music scene earlier this year at the FTF Music Conference and Showcase in Kent. Impressed with the band's vivacity and musicianship, local new-wave metal band 3SO invited CSPS to join the roster of 10 progressive metal/rock bands at its headlining show on July 23.

CSPS' unique sound was lighter than the majority of the acts on the predominantly thrash metal and heavy rock lineup. But the band didn't need shredded guitar riffs and screaming vocals to demonstrate its power and talent. The trio's aggressive stage presence was defined by precise instrumentation, persistent percussion and frontman Ryan Johnson's crisp vocals.

Drummer Pat Kenney set it off with a rolling beat before Johnson entered with a celestial guitar melody that lead into a 30-minute rock orchestration. On bass, David Steifel projected the beat from body to instrument, emanating rhythmic bass-lines through the walls. Mid-set, the musicians entranced the audience with seductive pulsations of guitar and bass on their instrumental composition, Mercury. Individually, each musician demonstrated skill. Together, the band created a sound that catapults CSPS into a realm beyond many national touring acts.

CSPS followed up their introduction to Cleveland with a second show at The Outpost with headliner Carina on July 24. The band is touring its home state throughout the rest of the summer. Catch them at Jammin' Java in Vienna, Virginia on Saturday, July 31, or at Sweet Caroline's in Winchester on August 20.


The band's influences include the Deftones, Incubus, and Muse. If you like those bands, or any of the following, you may also enjoy The Chuck Shaffer Picture Show:

3SO at Peabody's in Cleveland

F'ing Showboy flops at The Outpost

Set up and soundcheck can tell a lot about a band. At The Outpost on Saturday night, Showboy rolled out a large white bed sheet stating “Fucking Showboy” in black spray paint--a bit obnoxious. The lead vocalist’s sound check was a taunt to the wallflowers in the back of the room. The first song started with a few offbeat wails from the vocalist--confirming my original perception that this would be another band that has something to prove. The “singer” introduced the third song, "FLBJ," and commented that it did not stand for F*** LeBron James. I couldn’t tell one way or the other because the vocalist failed to annunciate any lyrics. After a few generic songs, the band surprised me with a somewhat like-able tune. The accompaniment was clean(er) and I could eek out a melody of sorts. The vocals improved. The band seemed to pull together as the set progressed. Overall, this band has a lot to improve on. I won’t be jumping at the opportunity to see their next show.

Tuesday, July 27, 2010

Autumn's Fall may rise in the future

Hard rock band Autumn’s Fall’s performance at The Outpost in Kent on Saturday, July 24, was energetic but lacked rigor. The musicianship was decent for the band’s sound. The vocals could use some fine-tuning. The back-up vocals were off key for most of the set, causing lead vocals to suffer at times. They had a humble demeanor albeit portrayed a hard-ass image. The frontman connected with the crowd and laughed it off when he realized he’d incorrectly introduced their second song. (The band should have just played it anyway. It was the third song on their set list.) The hope for this band is in recognizing the mistakes and fixing them in practice. I’m confident they will. I overheard the boys noting errors after tear-down. Overall, Autumn’s Fall had a great sound. I’ll look forward to hearing more from this group in the future.

Wednesday, May 12, 2010

FTF Music Conference harmonizes music, business at Kent State


Kent, Ohio -- Congregate nearly 30 musicians in a room together and a business discussion is not what one would expect to overhear. However, business was precisely what attendees discussed at the First Annual FTF Music Conference and Showcase in April. In today’s entertainment-saturated economy, musicians are entrepreneurs with a product worth more than $6 billion per year, said Ed Brennan, Wind-up Records radio promotions manager.


The four-day event was held at Kent State University on April 22 through April 25. The conference drew in a diverse collection of musicians and recording industry professionals from Northeast Ohio, Virginia and Pennsylvania. Artists learned that building a career in the music industry is a complex venture that takes knowledge, networking and persistence.


“That’s what this whole thing is about,” Jeff Gargas, FTF Records president and conference founder, said about the event. “It’s the fact that your band is a business, your music is a product. You’ve got to learn how to sell it and do it the right way while staying true to yourself and going after your dream.”


A compilation of 20 panels comprised the conference agenda. Discussion topics included songwriting, recording, licensing and touring. Panelists hailed from New York-based Wind-Up Records, Boston-based Digital Bear Entertainment and Cleveland-based Little Fish Records, among other industry-leading companies. Each panelist shared the consensus that central to a successful band is a business plan.


Smart artists are hot on the market

John “Jack” Storey, Independent Music United director of optimism, said, “the day of the dumb artist is dead.” That message resonated throughout the event as panelists explained that today’s industry leaders expect more than talent. Artists have to know how to sell their art, Gargas said.


During the “Your Music Business Plan” panel, NEO Soul Entertainment President Maurice Martin asked how many bands in the audience had written down target demographics for their brand of music. About half of the audience raised their hands. However, hands plummeted when Martin asked how many had written out a short-term or long-term plan for how to promote to identified demographics and grow the band’s business.


“People will help you and finance you if you can lay out your financial plan, lay out your market plan and target demographics, things of that nature,” Storey said, adding, “People are going to want to give you money because you are the only band they will have ever met to hand them a legitimate business plan.”

Likening the business plan to a roadmap, All Hail Records Owner and Entertainment Attorney Tony Clark said it ought to cover every possible route and every contingency to get the band to where it is going. He noted that most artists know where they are at and know where they would like to go but often need help filling in the details of how to get there. There is often a disconnect between the artist’s frame of mind and a business’ structured outlook, according to Little Fish Records President Larry Koval.


“We’ve been working with bands and artists for a few years and I can tell you right now, one of our biggest obstacles, as a management group, is the artist mentality versus the business mentality,” Koval said. “Know your limitations. Know your capabilities. There are people out there to help you. There are attorneys. There are management groups. There are law firms. Use those resources whenever it’s possible.”


Musicians identify career options

In an interview following a song critiquing session, Jordan Tishler, producer and artist manager, Digital Bear Entertainment, said that the most important aspect of events like the FTF Music Conference is the educational and networking experience. Conferences are valuable when artists can ask questions to professionals who are working in the industry everyday, he said. Starting at 11 a.m. each day, panels discussed various avenues musicians can take to make a living off of their music.


“My goal isn’t to go out, play shows and be the rockstar. I have a recorded product. I’m looking for publishing, licensing deals. I’m trying to learn more about that,” songwriter Kevin Conaway said.


Aspiring hip-hop producer and artist manager Aaron Bryant, known locally in Akron as A-1, wanted to learn how to launch an independent record label. He said the panels provided reassurance that he is doing the right thing. Vocalist Justice Hilliard and his heavy metal band, 3SO, shared Bryant’s sentiment that the panel discussions reinforced the progress they have made on their own business and marketing strategies.


“When [Jeff from FTF Records] told us that he was going to be putting this conference together, we saw it as yet another opportunity to better educate ourselves in the music industry, and critique and fine tune our efforts that we work so hard for,” Hilliard said.


One-to-one mentoring sessions allowed individual musicians or bands to meet privately with a field expert who helped to identify goals and advise the artist(s) on how to achieve those goals. Sarah Lamreaux, heavy metal vocalist, Catera, met withTake Action Media President Niki Sapp for more than one hour to review her music and discuss the band’s marketing plan.


After work, musicians must play

3SO headlined the opening night of the FTF Music Showcase at The Outpost on Route 43 in Kent on April 22. The showcase featured more than 30 local and regional acts throughout the weekend including The Chuck Shaffer Picture Show, Maid Myriad, Vitium, and Winslow.


Artists mingled with industry leaders and each other, using the relaxed environment to connect. Making a break in the industry is just as much about business as it is being in the right place at the right time and presenting yourself well to whomever you meet, Brennan said.


“You’re at an event right now. You don’t know who’s in this audience. The way you present yourself, the way that you carry yourself, the way you deliver what you say. Attitude is everything. You don’t know how far that will get you,” Sapp said.


Storey agreed and encouraged the artists to get to know and support one and other, connect with fans and find the right people with whom to work. He emphasized that the music industry is a community and it is necessary to help each other out.


“Everybody’s in this together,” Storey said.


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Note: All photos and graphic design images featured were taken, created and contributed by Lesley.Anne.K Photo Design.
Corrections: In the first publication of this article, Independent Music United was misrepresented as Independent Artists United; Kevin Conaway's last name was misspelled as Conway. The errors were corrected on May 12 and May 13, 2010.
Thank you to all readers who provide feedback, keep me on my toes and help to ensure that all information is reported accurately.